Media Culture

Manufacturing Consent: The Political Economy of the Mass Media

An absolutely brilliant analysis of the ways in which individuals and organizations of the media are influenced to shape the social agendas of knowledge and, therefore, belief. Contrary to the popular conception of members of the press as hard-bitten realists doggedly pursuing unpopular truths, Herman and Chomsky prove conclusively that the free-market economics model of media leads inevitably to normative and narrow reporting. Whether or not you've seen the eye-opening movie, buy this book, and you will be a far more knowledgeable person and much less prone to having your beliefs manipulated as easily as the press.

An intellectual dissection of the modern media to show how an underlying economics of publishing warps the news.

Saturday Morning Mind Control

Hot Air: All Talk, All The Time

Talk has never been cheaper in political journalism. On radio and TV, cable and network, there are now dozens of political talk shows. They range from the calm and ego-less Brian Lamb conducting a C-Span roundtable to the vein-popping G. Gordon Liddy telling his listeners exactly where to shoot federal agents. For this book, Howard Kurtz, a Washington Post media reporter and sometime talk show guest himself, interviewed nearly everyone associated with the genre. Frequently, the interviewees put their finger on what's wrong. "It's gotten to be a game," Sam Donaldson says of the guests on ABC's This Week. "They come on with one thing in mind--to put forward their view on a particular topic or two, but make certain they don't give us anything else. . . . They'll lie as part of their game plan. I can't immediately disprove what they're saying. . . . We're just an extension of the PR mechanism." According to Michael Kinsley of Slate (and former Crossfire cohost), what television wants is "jovial disagreement. We're all pals here, just joshing around in the locker room, when I think they're (expletive) liars."

Milestones in Mass Communication Research: Media Effects

Writing for Television, Radio, and New Media

This text covers the principles, techniques, and approaches of writing for a variety of formats for television, radio, and the Internet. This text includes a variety of formats, including interviews, sports, advertisement, and scripts, as well as news.

Broadcaster's Survival Guide: Staying Alive in the Business

Television, Globalization and Cultural Identities (Issues in Cultural and Media Studies)

* Are cultural identities socially constructed?
* How are race, nation, sex and gender constructed and represented on television?
* What is the impact of globalization on television and cultural identities?

This introductory text examines issues of television and cultural identities in the context of globalization. It is a wide-ranging volume, exploring many of the central cultural issues in contemporary cultural studies, such as media, globalization, language, gender, ethnicity, cultural politics and identity - perhaps the topic of cultural studies over the past decade. At the core of the book are two critical arguments - that television is a proliferating resource for the construction of cultural identity, and that cultural identity is not a fixed essential 'thing' but a contingent social construction to which language is central.

The book will be essential reading for undergraduate and postgraduate courses on television and cultural identities in the fields of cultural studies, communications, media studies and sociology, with a wider appeal to those with an interest in the television industry. Key concepts are introduced and explained for those new to cultural studies, whilst debates are extended and enriched for those already familiar with them. The text is well structured, links the vocabularies of media studies and cultural studies, and is supported by original case study material.

Reframing Culture

The works of Shakespeare and Dante or the figures of George Washington and Moses do not often enter into popular conceptions of the silent cinema, yet, between 1907 and 1910, the Vitagraph Company frequently used such material in producing "quality" films that promulgated "respectable" culture. William Uricchio and Roberta Pearson situate these films in an era of immigration, labor unrest, and mainstream American xenophobia, in order to explore the cultural views promoted by the films and the ways the audiences--the middle classes as well as workers and immigrants--related to what they saw. The authors associate the production of quality films with a top-down forging of cultural consensus on issues such as patriotism and morality, and reveal the surprising bottom-up negotiations of these films' "meanings." Devoting chapters to the literary, historical, and biblical subjects used by Vitagraph, this book draws upon plays, pageants, school textbooks, and even product advertisements to illuminate the conditions of cinematic production and reception. It provides a detailed look at one aspect of the film industry's transformation from "despised cheap amusement" to the nation's dominant mass medium, while showing how cultural elites engaged in a struggle similar to that of today's American academy over the literary canon and national value systems.

Making Waves 50 Greatest Women In Radio And Televi

Making Waves captures the spirit and courage exhibited by the 50 greatest women in television and radio. It highlights the pioneers, both well-known personalities and behind-the-scenes movers, who've made it happen. Those featured were selected by the AWRT membership, based on their industry impact, audience influence, assistance in advancing women, and vision for the future. Honorees - from Lucille Ball to Oprah Winfrey, from Barbara Walters to Martha Stewart - are treated with a biography, photos, and a personal essay recalling the defining moments of their careers. New insights into these women's lives and careers will surprise readers!

Mass Communications Theories and Research